Katrina Porteous & Euwitt Nayanhongo

Remarkable people

In this edition

Poet Katrina Porteous recites remarkably at Magdalene college and talks on her new book Rhizodont which was shortlisted for the T.S Eliot prize.. 

And we learn about  the spiritual aspects of sculptural work from Zimbabwe at the workshop of  artist Euwitt Nayanhongo whose shaping work in stone as a labour of love.

Rhizodont 

Its not often one gets to meet a truly excellent contemporary poet whose willing to give an exposition tete-a -tete …and fortunately given the chance…. I found the mind of Katrina Porteous a feast of  nourishing poetic ideas following an invitation to meet her from Magdalene college Undergraduate Poet Joe Wright.

Katrina was at one time a pupil of  Seamus Heaney at University in America and has been shortlisted for the 2024 T.S Eliot prize. Her work captures the living nature of things as she  experiences them and often centres on life in the fishing communities of  her native Northumberland. She has recently published a new anthology entitled Rhizodont ….which incidentally was the fossil of a creature that emerged from the sea and that we are all descended from in terms of evolution.  

Katrina graduated from Trinity Hall, Cambridge, in 1982 with a double first in History. In 1982-4 she travelled to the USA on a Harkness Fellowship, studying at Berkeley, California, and Harvard Universities. She returned to Cambridge, England, in 1985 and in 1987 moved to her grandparents’ house on the Northumberland coast.

A broadcaster, performance poet, she’s also worked on music collaborations with  East Anglian artist, James Dodds, Northumbrian piper Chris Ormston, and English concertina virtuoso Alistair Anderson…..

I found her charismatic style of performance is certainly addictive.

Sculptor Euwitt Nayanhongo comes from a family of sculptors and is the son of Claude Nyanhongo who helped pioneer the modern sculpture movement in Zimbabwe. 

His home is in Nyanga in Zimbabwe’s mountainous eastern highlands and his sculpture often pays tribute to the specific culture and traditions of this region. He’s exhibited internationally for decades and his work stands in important private collections in Australia, Europe and North America.

Euwitt began sculpting aged twelve during school holidays he often assisted his father in finishing off sculptures.

He believes that his inspiration is derived from the Nyanga mountains and it is in these spiritual rocks that provide him with artistic vision so he often spends time working in the mountains. His work portrays humans affinity with nature, animals, birds, spirits and mythological beliefs of the Shona tribe .

Euwitt showed me a  selection of works at his Cambridge studio explaining the delightful provenance.

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